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Venice Film Festival Review: JOKER

Venice Film Festival Review: JOKER

by Mark Keizer | Aug 31, 2019 | Commentary, Feature, News, Reviews

An astonishing Joaquin Phoenix reworks the iconic Batman villain into a symbol of class division and unchecked mental illness

FILM REVIEW: ONCE UPON A TIME IN HOLLYWOOD

FILM REVIEW: ONCE UPON A TIME IN HOLLYWOOD

by Ray Greene | Jul 27, 2019 | Commentary, Feature, News, Reviews

How Quentin and Charlie are Brothers in Blood

FILM REVIEW: DAVID CROSBY: REMEMBER MY NAME

FILM REVIEW: DAVID CROSBY: REMEMBER MY NAME

by Ray Greene | Jul 16, 2019 | Commentary, Feature, News, Reviews, Uncategorized

Producer Cameron Crowe Tries to Document a Musical Story That Ain’t Over Yet

FILM REVIEW: OPHELIA

FILM REVIEW: OPHELIA

by Luke Y. Thompson | Jul 1, 2019 | Feature, Reviews

I Feel Ya, Ophelia, but You Are Not a Jedi Yet

TOMATO SLAM: AVENGERS: ENDGAME

TOMATO SLAM: AVENGERS: ENDGAME

by Wade Major | Apr 29, 2019 | Feature, Reviews

The CineGods take on the Avengers and “Endgame”

FILM REVIEW: SHAZAM!

FILM REVIEW: SHAZAM!

by Mark Keizer | Apr 3, 2019 | Feature, Reviews

A minor superhero becomes a major win for DC’s beleaguered slate of comic book adaptations

FILM REVIEW: US

FILM REVIEW: US

by Tim Cogshell | Mar 22, 2019 | Feature, Reviews

What does “Get Out” writer/director Jordan Peele do for an encore? Nothing less than another chillingly original American classic.

FILM REVIEW: IN SYRIA

FILM REVIEW: IN SYRIA

by Wade Major | Jan 25, 2019 | Reviews

Belgian director Philippe Van Leeuw explores the tragedy of Syria through a harrowing day in the life of ordinary Syrians.

The Best Films of 2018 – According to Wade

The Best Films of 2018 – According to Wade

by Wade Major | Jan 3, 2019 | Feature, Reviews

It was neither the best of times nor the worst of times, but 2018 still managed to deliver.

FILM REVIEW: MARY POPPINS RETURNS

FILM REVIEW: MARY POPPINS RETURNS

by Wade Major | Dec 22, 2018 | Feature, Reviews

Mary Poppins may be practically perfect in every way, but this soulless sequel to the 1964 classic is anything but.

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