Venice Film Festival Review: JOKER
An astonishing Joaquin Phoenix reworks the iconic Batman villain into a symbol of class division and unchecked mental illness
An astonishing Joaquin Phoenix reworks the iconic Batman villain into a symbol of class division and unchecked mental illness
How Quentin and Charlie are Brothers in Blood
Producer Cameron Crowe Tries to Document a Musical Story That Ain’t Over Yet
I Feel Ya, Ophelia, but You Are Not a Jedi Yet
The CineGods take on the Avengers and “Endgame”
A minor superhero becomes a major win for DC’s beleaguered slate of comic book adaptations
What does “Get Out” writer/director Jordan Peele do for an encore? Nothing less than another chillingly original American classic.
Belgian director Philippe Van Leeuw explores the tragedy of Syria through a harrowing day in the life of ordinary Syrians.
It was neither the best of times nor the worst of times, but 2018 still managed to deliver.
Mary Poppins may be practically perfect in every way, but this soulless sequel to the 1964 classic is anything but.