COMMENTARY: MARVEL’S INVISIBLE WOBBLE
How LOVE AND THUNDER’s Opening Weekend Means Trouble for the MCU
COMMENTARY: THE FIRST ELVIS
CineGod Ray Greene Remembers Working on the Lost ELVIS TV Series of 1990
Godcast #1: The Search for Black Superman
Is Warner Bros.’ intended reboot a step in the right direction or a well-intentioned step backward? The CineGods discuss…
Disney+ Review: WandaVision
Marvel’s first series for Disney+ barely achieves liftoff
Oscars 2019 Post-Mortem: The “Parasite” Conundrum
Wade sums up the 92nd Annual Academy Awards and what they mean… and what they don’t mean.
Oscars 2019: One CineGod’s Pics
Wade breaks down his pics for the 92nd Annual Academy Awards
FILM REVIEW: “THE TWO POPES”
Religious Two-Hander is Congenial But Could Have Been Incendiary
My Father and the Movies
Luke Y. Thompson on movies, family and remembrance…
VENICE FILM FESTIVAL REVIEW: THE LAUNDROMAT
Steven Soderbergh’s energetic but uninspired comedy wastes an opportunity to riles us up in 1-percenter fury about the Panama Papers
Venice Film Festival Review: JOKER
An astonishing Joaquin Phoenix reworks the iconic Batman villain into a symbol of class division and unchecked mental illness