VENICE FILM FESTIVAL REVIEW: THE LAUNDROMAT
Steven Soderbergh’s energetic but uninspired comedy wastes an opportunity to riles us up in 1-percenter fury about the Panama Papers
Venice Film Festival Review: JOKER
An astonishing Joaquin Phoenix reworks the iconic Batman villain into a symbol of class division and unchecked mental illness
FILM REVIEW: ONCE UPON A TIME IN HOLLYWOOD
How Quentin and Charlie are Brothers in Blood
FILM REVIEW: DAVID CROSBY: REMEMBER MY NAME
Producer Cameron Crowe Tries to Document a Musical Story That Ain’t Over Yet
FILM REVIEW: OPHELIA
I Feel Ya, Ophelia, but You Are Not a Jedi Yet
TOMATO SLAM: AVENGERS: ENDGAME
The CineGods take on the Avengers and “Endgame”
FILM REVIEW: SHAZAM!
A minor superhero becomes a major win for DC’s beleaguered slate of comic book adaptations
FILM REVIEW: US
What does “Get Out” writer/director Jordan Peele do for an encore? Nothing less than another chillingly original American classic.
TOMATO SLAM: 91st ACADEMY AWARDS PREDICTIONS AND ANALYSIS
The CineGods weigh in on the most volatile and unpredictable Academy Awards field in history.
The Fourth Musketeer Rides Again
On the 100th anniversary of the founding of United Artists, Kelley Smoot talks with the CineGods about the reissue of “Douglas Fairbanks: The Fourth Musketeer,” becoming a member of the Fairbanks fold and the endangered legacy of classic cinema.